Pakistani Fashion Designers – Milan Fashion Week

Milan Fashion Week came in with a surprise when Pakistani Fashion designers Maheen Khan, Deepak Perwani and Rizwan Beyg showcased their collections at the Milano Moda Donna (women’s) Spring/Summer 2010 season, organized by Camera Nazionale della Moda Italiana. Their collections were showcased in the New Upcoming Designers (N-U-De) Category.

The collections caught the audience off-guard, since it was different from the rest – it was all Pakistani! The theme chosen by designers was to showcase Pakistan’s culture and traditions infused in Western attire.

Maheen Khan’s Khyber Mail as she puts it, was a total depiction of the artwork, embroidery from the Khyber, and even the lovely ‘kotis’and sleek pleated shalwars worn throughout Pakistan. That was the whole idea about Khyber Mail. When Maheen puts it, she puts it well! To accentuate more Khyber style in the collection, the designer came up with a brilliant idea of accessorizing it with colorful traditional hats namely ‘pukhol’ made out of khaddar and Satin. Maheen’s prêt collection was a fusion of solid catchy colors ranging from orange, white, grey, yellow and red. Fashion Guru Maheen’s Khyber Mail was purely a work of exuberance and understated elegance.

Pakistan’s Fashion Icon, Rizwan Beyg is a maestro who plays along black or white. Following his success at the Ensemble show this year, the fashion designer again chose white as his theme, to make it in contrast to Deepak’s and Maheen’s rather multi-hued collection. White has become his signature color. His collection had a more defined tilt towards Western style – long flowing skirts, revealing around the torso with most of the skirts wound with a big white bow in the front. The skirts were tremendously designed in crochet and embellished with pearls.

Another Pakistani Fashion Guru left the crowd breathless with his Pakistani themed Western collection. His collection played along the same color variations as Maheen’s, with eccentric use of local ‘dastarkhawan’ and ‘ajrak’prints, elegantly used on white fabric.

How To Grow Your Hair Faster

Considering that hair grows at an average rate of about one half inch per month or up to six inches per year, many people still wonder how to grow your hair faster. It is not surprising that people want to know how to grow hair faster as the public image of style changes often. It is a difficult position to be in when you have short hair and suddenly longer hair comes into style. The normal time frame for growing longer hair can be as long as five years and by the time five years passes, short hair will be in style. It is a never winning situation when we chase fashionable hair.

Chasing fashion is not always the best answer. Sometimes creating fashion is a better plan. Have you ever noticed anyone with beautifully long and luminescent hair to be concerned about whether or not they are in fashion? You probably won’t either because beautiful hair is always in fashion. So how to grow your hair faster? The answer is to encourage the body to produce quality hair. That sounds pretty easy and it is really not too difficult and there are some really great products available to help with this task.

How To Grow Your Hair Faster – Beautiful, Long, and Healthy:

There is always a goal to grow hair faster, but the real goal should be that you grow hair faster that is not only beautiful and longer, but also healthy. It is pretty easy to spot hair that is not healthy, it is dull, limp and lifeless. Learning how to grow hair faster includes the aspect of bringing hair to life and finding that inner shine that really beautiful hair has. How to grow hair faster is a matter of conditioning our scalps to produce quality hair and this can be done with topical products that are designed to stimulate hair growth. Finding the right hair care product is one way to stimulate hair growth.

Learning how to grow your hair faster is about stimulating hair to grow. This can be done with over-the-counter pharmaceutical products and other hair care treatments. These product works well but our own bodies can help any of these products to succeed on an even greater level. The way these work is that many products work as a topical application that stimulates hair growth by improving blood flow to the hair follicles. These types of products can also help to clean the follicles from debris that may build up and clog the follicle opening.

Also, how we treat our body and our diet are two aspects of care that can help or hinder products that are designed to stimulate hair growth. Water is a vital part of a healthy body and a healthy body is a requirement of having healthy hair. Hair can be considered as a product of our own nutritional values as the foods we eat provide the vitamins and keratin that are needed to grow beautiful hair. How to grow hair faster can be partially a result of drinking plenty of water and eating a well balanced diet. Both of these aspects of making our body healthy, are within our control. If we want to grow beautiful hair then we need a healthy body. Even with products, being healthy helps a great deal.

How To Grow Your Hair Faster – Common Sense:

It is a natural desire to want beautiful healthy hair. Sometimes that may seem like an impossible dream. The reality is that it is a very obtainable dream for most of us. By following a few simple steps most of us could have beautifully long and shiny hair. Using products that work with your body can be a good solution to improving the quality of our hair and also a good method of how to grow your hair faster. Topical applications that are used in one’s everyday beauty routine are manageable in anyone’s lifestyle.  The results can be positively improved by adjusting diet and water consumption.

One such product that stands out from the rest is FAST Shampoo & Conditioner. Clinical hair growth studies have shown that FAST yielded results up to 99% faster than normal hair growth. 99% faster! But don’t take our word for it – check out their online customer testimonials and reviews herewww.nisim.com.

Lastly, another of the benefits of using accelarting hair growth products is that they can help to reverse the aging effect by revitalizing your hair and scalp. The rich moisturizing effect of the products can increases the elasticity and luminescent qualities by deep cleaning hair. Topical hair treatments can also help to remove and prevent harmful bacteria and fungi that can be found on the scalp. There are just so many benefits to using hair growth products but the best may be the end result. Faster hair growth, longer hair, and hair that is beautifully structured are some of the better results of using a product like FAST Shampoo & Conditioner. So if you have asked yourself how to grow your hair faster, then the answer is natural products that work with your body to grow beautiful hair.

Fashion Trend Born Out From Washington D.C

Born out from Washington, D.C. music scene in the mid-1980s, Emo style is trendy and popular among young people today. The word ?Emo? actually been created to describe the bands? emotional performances, their choice, sensitive, or even their followers. With time they grew popular and the circle of Emo grew large that consist of mainly teens and young twenty. Emo community persuade their own thinking and rules and rejects the trends of the mainstream and gradually they started to produce new looks and hairstyles by experimenting on themselves and brought a new revolution in the world of fashion and makeup. Though you need to be daring to follow the Emo style and control on your temperament to hear the criticism and the way people throw their glance at you as they are not Emo and they don't want to accept anything that is not in the mainstream.

Despite of several criticisms Emo was indeed successful to conquer the hearts of a lot of devoted fans as admirers of this music genre pose in the likeness of their icons. To manifest the Emo look you need to know the right Emo fashion and hairstyle. Often it has been found that Emo fashion is associated with the Gothic fashion but the fact is that although these two has some basic resemblance still, the Emo fashion's major distinction is typified through dark color on eyes, nails and the lips while Gothic fashion has the same style just sticks on the sole shade of black.

Emo makeup embrace pale looking skin and emphasizing to use of thick foundation in creating a paler look after applying moisturizer. The shade of the foundation should match your skin color. Next attention is paid to your eye makeup in Emo fashion that is done mostly with black eyeliners with greater prominence on the path encircling the eyes and is followed so in making the eyes more accentuated than the rest of the other parts of the face. To give a gloomy effect around the eyes you can add on colors associated with dark and shady hues of purple or violet and dark red properly highlighting the lower eyelid. Also the same effect can be given using dark red color. Applying of 2 to 3 layers of mascara create thickness that will harmonized with the eyelids and eyebrows dark shade. Hairstyle also is an important part for the Emo guys. Usually black hair, with a more two-toned look, with one color on the top and another color on the bottom especially by the Emo girls is preferred.

Finally the whole Emo look is completed with the styles of dressing.

Just Fashion Here

Girls Have New Dresses On This Christmis

Fashion OF fur Hot models

Models In Action

Fashion Fotography

Fashion photography is a genre of photography devoted to displaying clothing and other fashion items. Fashion photography is most often conducted for advertisements or fashion magazines such as Vogue, Vanity Fair, or Elle. Over time, fashion photography has developed its own aesthetic in which the clothes and fashions are enhanced by the presence of exotic locations or accessories.

Photography was developed in the 1830s,

But the earliest popular technique, the daguerreotype, was unsuitable for mass printing.[1] In 1856, Adolphe Braun published a book containing 288 photographs of Virginia Oldoini, Countess di Castiglione, a Tuscan noblewoman at the court of Napoleon III. The photos depict her in her official court garb, making her the first fashion model
In the first decade of the 20th century, advances in halftone printing allowed fashion photographs to be featured in magazines.
       Fashion photography made its first appearance in French magazines such as La mode practique. In 1909, Condé Nast took over Vogue magazine and also contributed to the beginnings of fashion photography.
   
In 1911, photographer Edward Steichen was "dared" by Lucien Vogel, the publisher of Jardin des Modes and La Gazette du Bon Ton, to promote fashion as a fine art by the use of photography.
 Steichen then took photos of gowns designed by couturier Paul Poiret.
 These photographs were published in the April 1911 issue of the magazine Art et Décoration.
 According to Jesse Alexander, This is "...now considered to be the first ever modern fashion photography shoot. That is, photographing the garments in such a way as to convey a sense of their physical quality as well as their formal appearance, as opposed to simply illustrating the object."[4]
 At this time, special emphasis was placed on staging the shots, a process first developed by Baron Adolf de Meyer, who shot his models in natural environments and poses. Vogue was followed by its rival, Harper's Bazaar, and the two companies were leaders in the field of fashion photography throughout the 1920s and 1930s. House photographers such as Edward Steichen, George Hoyningen-Huene, Horst P. Horst and Cecil Beaton transformed the genre into an outstanding art form. Europe, and especially Germany, was for a short time the leader in fashion photography.
But now with that change in time every country has taken considerable measures to promote the field of photography.
In the mid 1940s as World War II approached, the focus shifted to the United States, where Vogue and Harper's continued their old rivalry. House photographers such as Irving Penn, Martin Munkacsi, Richard Avedon, and Louise Dahl-Wolfe would shape the look of fashion photography for the following decades. Richard Avedon revolutionized fashion photography — and redefined the role of the fashion photographer — in the post-World War II era with his imaginative images of the modern woman. Today, his work is being exhibited in the Norton Museum in West Palm Beach, FL. This exhibition features more than 200 works and spans Avedon’s entire career, including vintage prints, contact sheets, and original magazines from Harper’s Bazaar, Vogue and The New Yorker.
The artists abandoned their rigid forms for a much freer style. In 1936, Martin Munkacsi made the first photographs of models in sporty poses at the beach. Under the artistic direction of Alexey Brodovitch, the Harper's Bazaar quickly introduced this new style into its magazine.
In postwar London, John French pioneered a new form of fashion photography suited to reproduction in newsprint, involving where possible reflected natural light and low contrast.[5][6]
After the deaths of Richard Avedon, Helmut Newton and Herb Ritts, some of today's most famous fashion photographers are Patrick Demarchelier, Steven Meisel, Mario Testino, Peter Lindbergh and Annie Leibovitz.[7][8]

How Fashion Media is Started???

An important part of fashion is fashion journalism. Editorial critique, guidelines and commentary can be found in magazines, newspapers, on television, fashion websites, social networks and in fashion blogs.
At the beginning of the 20th century, fashion magazines began to include photographs of various fashion designs and became even more influential on people than in the past. In cities throughout the world these magazines were greatly sought-after and had a profound effect on public clothing taste. Talented illustrators drew exquisite fashion plates for the publications which covered the most recent developments in fashion and beauty. http://www.fashion121.com/2011/10/hair-care.html
 the most famous of these magazines was La Gazette du Bon Ton which was founded in 1912 by Lucien Vogel and regularly published until 1925 (with the exception of the war years).
Vogue, founded in the US in 1892, has been the longest-lasting and most successful of the hundreds of fashion magazines that have come and gone. Increasing affluence after World War II and, most importantly, the advent of cheap colour printing in the 1960s led to a huge boost in its sales, and heavy coverage of fashion in mainstream women's magazines—followed by men's magazines from the 1990s. Haute couture designers followed the trend by starting the ready-to-wear and perfume lines, heavily advertised in the magazines, that now dwarf their original couture businesses. Television coverage began in the 1950s with small fashion features. In the 1960s and 1970s, fashion segments on various entertainment shows became more frequent, and by the 1980s, dedicated fashion shows like Fashion-television started to appear. Despite television and increasing internet coverage, including fashion blogs, press coverage remains the most important form of publicity in the eyes of the fashion industry.

However, over the past several years, fashion websites have developed that merge traditional editorial writing with user-generated content. Online magazines like iFashion Network, and Runway magazine, led by Nole Marin from America's Next Top Model, have begun to dominate the market with digital copies for computers, iPhones and iPads. Example platforms include Apple and Android for such applications.
A few days after the 2010 Fall Fashion Week in New York City came to a close, The New Islander's Fashion Editor, Genevieve Tax, criticized the fashion industry for running on a seasonal schedule of its own, largely at the expense of real-world consumers. "Because designers release their fall collections in the spring and their spring collections in the fall, fashion magazines such as Vogue always and only look forward to the upcoming season, promoting parkas come September while issuing reviews on shorts in January," she writes. "Savvy shoppers, consequently, have been conditioned to be extremely, perhaps impractically, farsighted with their buying.


Ethnic Fashion is defined as the Fashion of Multicultural groups such as African-American, Hispanics, Asians, etc. Examples of Ethnic Designer are FUBU, BabyPhat, FatFarm, Sean John, Etc. It is estimated that Ethnic Fashion has contributed over 20 Billion dollars in revenues.

History Of Western Fashion

Early Western travelers, whether to Persia, Turkey or China frequently remark on the absence of changes in fashion there, and observers from these other cultures comment on the unseemly pace of Western fashion, which many felt suggested an instability and lack of order in Western culture. The Japanese Shogun's secretary boasted (not completely accurately) to a Spanish visitor in 1609 that Japanese clothing had not changed in over a thousand years.
[2]  However in Ming China, for example, there is considerable evidence for rapidly changing fashions in Chinese clothing. 

[3] Changes in costume often took place at times of economic or social change (such as in ancient Rome and the medieval Caliphate), but then a long period without major changes followed. This occurred in Moorish Spain during the 8th century, when the famous musician Ziryab introduced sophisticated clothing-styles based on seasonal and daily timings from his native Baghdad and his own inspiration to Córdoba in Al-Andalus.
[4][5]   Similar changes in fashion occurred in the Middle East from the 11th century, following the arrival of the Turks, who introduced clothing styles from Central Asia and the Far East.
[6]  The beginnings of the habit in Europe of continual and increasingly rapid change in clothing styles can be fairly reliably dated to the middle of the 14th century, to which historians including James Laver and Fernand Braudel date the start of Western fashion in clothing.

[7][8] The most dramatic manifestation was a sudden drastic shortening and tightening of the male over-garment, from calf-length to barely covering the buttocks, sometimes accompanied with stuffing on the chest to look bigger. This created the distinctive Western male outline of a tailored top worn over leggings or trousers.


Marie Antoinette was a fashion icon
The pace of change accelerated considerably in the following century, and women and men's fashion, especially in the dressing and adorning of the hair, became equally complex and changing. Art historians are therefore able to use fashion in dating images with increasing confidence and precision, often within five years in the case of 15th century images. Initially changes in fashion led to a fragmentation of what had previously been very similar styles of dressing across the upper classes of Europe, and the development of distinctive national styles. These remained very different until a counter-movement in the 17th to 18th centuries imposed similar styles once again, mostly originating from Ancien Régime France.
[9]  Though the rich usually led fashion, the increasing affluence of early modern Europe led to the bourgeoisie and even peasants following trends at a distance sometimes uncomfortably close for the elites—a factor Braudel regards as one of the main motors of changing fashion.

[10]   Albrecht Dürer's drawing contrasts a well turned out bourgeoise from Nuremberg (left) with her counterpart from Venice. The Venetian lady's high chopines make her taller
Ten 16th century portraits of German or Italian gentlemen may show ten entirely different hats, and at this period national differences were at their most pronounced, as Albrecht Dürer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). The "Spanish style" of the end of the century began the move back to synchronicity among upper-class Europeans, and after a struggle in the mid 17th century, French styles decisively took over leadership, a process completed in the 18th century.
[11]
Though colors and patterns of textiles changed from year to year,[12] the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. Men's fashions largely derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat or necktie.
The pace of change picked up in the 1780s with the increased publication of French engravings that showed the latest Paris styles; though there had been distribution of dressed dolls from France as patterns since the 16th century, and Abraham Bosse had produced engravings of fashion from the 1620s. By 1800, all Western Europeans were dressing alike (or thought they were): local variation became first a sign of provincial culture, and then a badge of the conservative peasant.[13]
Although tailors and dressmakers were no doubt responsible for many innovations before, and the textile industry certainly led many trends, the history of fashion design is normally taken[by whom?] to date from 1858, when the English-born Charles Frederick Worth opened the first true[weasel words] haute couture house in Paris. Since then the professional designer has become a progressively more dominant figure, despite the origins of many fashions in street fashion. For women the flapper styles of the 1920s marked the most major alteration in styles for several centuries, with a drastic shortening of skirt lengths, and much looser-fitting clothes; with occasional revivals of long skirts forms of the shorter length have remained dominant ever since. The four major current fashion capitals are acknowledged to be Milan, New York City, Paris, and London. Fashion weeks are held in these cities, where designers exhibit their new clothing collections to audiences, and which are all headquarters to the greatest fashion companies and are renowned for their major influence on global fashion.
Modern Westerners have a wide choice available in the selection of their clothes. What a person chooses to wear can reflect that person's personality or likes. When people who have cultural status start to wear new or different clothes a fashion trend may start. People who like or respect them may start to wear clothes of a similar style.
Fashions may vary considerably within a society according to age, social class, generation, occupation, and geography as well as over time. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. The terms fashionista and fashion victim refer to someone who slavishly follows current fashions.
One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. (Compare some of the work of Roland Barthes.)

You Know This Is Fashion

Girls Have Natural beauty

Fashion in sweden

How To Becomes A Fashion Desinger

You know you're destined to be a fashion designer if you:

    spent most of your childhood making clothes for your Barbie dolls instead of playing with your friends;
    read fashion magazines instead of your school books;
    ran a boutique out of your basement at age 10.


In other words: if you want to be the next Yves Saint Laurent, it helps to be completely and utterly obsessed with fashion.

However, there are many aspects of the profession. Working as a fashion designer can just as well mean supervising a design team at a sportswear company as producing a label under your own name. Although the former career may not seem as glamorous as the latter, it certainly will make your life less stressful. To create your own label takes a lot of time, dedication and hard work. Not to mention living just above the poverty line for several years.

Choosing a strategy


There are as many different ways to embark upon a fashion career as there are styles of design. Ralph Lauren's Polo empire was founded on a small tie collection that he sold to Bloomingdales. Helmut Lang decided to open his own clothing store when he couldn't find a t-shirt that he liked. Michael Kors built up a network of customers by selling clothes in a trendy NYC boutique. However, most people find that the best foundation for a design career is to get a fine arts degree in fashion at a prestigious school. Besides teaching you the craft, a good school will also add credibility to your resum . "We live in a brandname society, and having the name of a good school behind you really does help," says Carol Mongo, Director of the Fashion Department at Parsons School of Design in Paris.

Applying to a school:


There are a lot of colleges that have fashion programs, but only a handful has the kind of reputation that can really push your career. (See separate listings for addresses and web sites.) It's hard to enter these schools as competition is high, and they tend to be very selective. You apply by sending a portfolio of drawings of your designs. "We can't teach you how to be creative -- you have to bring your creativity to us and let us lead you on your way," says Carol Mongo. She recommends students to get some sewing experience before they apply. Drawing is also an important skill for a designer -- it is the way you communicate your ideas. In order to build an impressive portfolio it's a good idea to have some experience in sketching; taking art classes will help you understand form and proportion. But you don't have to be an expert drawer to get accepted to a school. "The most important quality that we look for in our students is that they are truly passionate and exuberant about fashion," says Mongo. "If you have wonderful ideas but can't draw, there are always ways to get around it. You could for example put your designs on a mannequin and take pictures of it."

What school will do for you


Most fashion programs are three to four years long. During that time you will take fine arts classes and study drawing, color composition and form. You will also learn pattern making, draping and cutting techniques. One of the most important advantages of design schools is that they work really closely with the industry. Parsons, for example, have "designer critic projects" where successful designers like Donna Karan and Michael Kors work directly with the graduating students. Ambitious students also have the chance to win prestigious awards and grants, which bring them a lot of attention as well as financial support. One very important event is the fashion show at the end of the last semester, when graduating students show their collections. A lot of important people from the fashion industry attend these shows to scout new talent. It's also an opportunity to be really outrageous and get noticed by the media. Hussein Chalayan, for example, became instantly infamous when he showed rotting clothes that he had buried in his backyard for his graduation show at Saint Martins.

Alternative routes


"Let's be realistic," says Carol Mongo at Parsons, "School's not for everyone. If you're just looking to get a job in the fashion industry -- not a career as a designer -- you probably don't need to go school." If you want to work as a seamstress or a patternmaker, the best thing is probably to apply for an internship at a fashion house and work your way up. However, there are many examples of famous designers who started out as interns with no formal training. For example, Dior's brightest new star, men's wear designer Hedi Slimane, had a degree in journalism when he started working with men's wear designer José Levy. Balenciaga's Nicolas Ghesquière is another example of a brilliantly successful designer who learned the jobs hands-on, as an assistant at Jean-Paul Gaultier. Usually, you apply for an internship by sending a portfolio to a fashion house you're interested in. But it's a good idea to call them up beforehand to see exactly what they need. It's also important to note that competition is fierce, and unless you have personal connections, it's very difficult to get an internship without an education. There are also designers, like Luella Bartley, who started their own business after working as stylists for several years, thus building an industry network as well as a good marketing sense.

Understanding the business


Unfortunately, it's not enough for a designer to be creative; you also have to have some business sense. As fashion gets more and more corporate driven, it's important to be aware of the business climate and understanding the mechanics behind it. By religiously reading trade papers like "Women's Wear Daily" you will get a lot of valuable information. If you want to run your own company, you need to be extremely organized and learn at least the basics of economics. A lot of fashion schools are currently increasing business classes in their curriculum. "Our students have to be smart enough to know how to negotiate a contract, or to pick a business partner," says Carol Mongo. It's perhaps telling that many of the designers that are really successful today, like Calvin Klein or Tom Ford, are involved in every aspect of the business -- from licensing strategies to ad campaigns to actually designing the clothes.

Keep yourself and your violet covered

As we predicted months ago, ponchos are everywhere this season and in addition to looking super-cute, they're completely functional for fall's chilly weather. We love them even more when you can score 'em for under $100, and that's exactly what we've got for you to shop today. Take a look and find your fave!

Are you feeling these ponchos STF? Any styles you're going to pick up for yourself?

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